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All stories about QAGOMA's Collection

Displaying 101 - 200 of 566

ENGLUND, Ivan; Rosey morn no.1

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Works by (l–r) Erbossyn Meldibekov and Zico Albaiquni, installed at QAG for ‘Errant Objects’  / Purchased 2012. Queensland Art Gallery / © The artists / Photograph: N Harth, QAGOMA
DIDACTIC

Errant Objects

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ESSAY: 'Samsara' series / FOLEY MELLOR

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ESSAY: 18th-century English portraiture

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ESSAY: 1994.030a-d CHELSEA PORCELAIN WORKS

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ESSAY: 2003.045 MELLOR

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ESSAY: 2003.162 PWERLE

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ESSAY: 2004.003 BLACK

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ESSAY: 2004.089 Judy BAYPUNGALA

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ESSAY: 2004.180 DUPAIN

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Sail boats docking into early Brisbane in the 19th century

ESSAY: 2004.194.002 JENNER

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ESSAY: 2004.205 BAYPUNGALA / Nganiyal

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ESSAY: 2010.002 CHEN

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ESSAY: 2018.024-30 LALIQUE

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ESSAY: 2018.033 HESTER

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ESSAY: 2019.131 LALIQUE

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ESSAY: 2019.170a-c BENNETT

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ESSAY: 2:0220A LINDSAY

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ESSAY: A century since: Auguste Rodin

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ESSAY: Albert Namatjira’s family

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ESSAY: Alice Hunai's Bwana (Money mat)

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ESSAY: APT2 and Yun Suk-Nam’s Pink sofa

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A photograph of a rural road in Japan, with a house seen at left and fields either side.

ESSAY: Asakai’s ‘Passage’ series

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ESSAY: Ay-o’s spring pictures

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ESSAY: Boyd’s Persecuted lovers

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ESSAY: CAI Guo-Qiang's Heritage

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An oil painting depicting a jacaranda tree blooming in a backyard.

ESSAY: Charles H Lancaster’s Jacarandas

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ESSAY: Chim-Pom and Meiro Koizumi

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ESSAY: Chim↑Pom

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ESSAY: CHRISTANTO, Dadang; For those: Who are poor, Who are suffer(ing)...

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ESSAY: Coosemans’s stilll life

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ESSAY: Creating and collecting art for kids

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ESSAY: CREED, Martin; Work no. 189

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ESSAY: Dadang Christanto's Manusia tanah (The earth human)

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ESSAY: Danie Mellor — Landspace

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ESSAY: Danie Mellor's Whether you like it or not

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ESSAY: Danie Mellor: The pleasure and vexation of history

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ESSAY: Daniel Boyd’s Untitled (HNDFWMIAFN) 2017

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ESSAY: Deborah Kelly’s Beastliness

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ESSAY: Dhuwarrwarr Marika: Yalangbara

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ESSAY: Dorrit Black's In the foothills

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ESSAY: Edith Amituanai

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ESSAY: Emma Tamarii

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Feature image: Installation view of ‘I, Object’, featuring fighting clubs c.1900, GOMA, August 2019 / Collection: QAGOMA / © The artists / Photograph: N Harth, QAGOMA

ESSAY: Fighting clubs

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ESSAY: Fiona Pardington

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ESSAY: Five watercolours by Kenneth Macqueen

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ESSAY: Florence Jaukae-Kamel

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ESSAY: GILL, Simryn; Dalam

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ESSAY: GILL, Simryn; Pooja/Loot

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ESSAY: Hanssen Pigott's Travellers no. 3

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ESSAY: Hidden Treasure: Sèvres style and Meissen

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ESSAY: Hiraki Sawa’s O

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ESSAY: Irene Entata’s Honey ants

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ESSAY: Jaki-ed mats

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ESSAY: Julia Mage’au Gray

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ESSAY: Kasahara’s

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ESSAY: Kashiki’s fluid compositions

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ESSAY: Kathy Jetñil-Kijiner

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ESSAY: Kazama’s Nonhuman crossing

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 Kenneth Macqueen / Australia NSW 1897 - 1960 / Harvesting scene (detail) c.1956 / Watercolour over pencil on wove paper / Purchased 1956 / Collection: QAGOMA / © QAGOMA / A watercolour landscape depicting rolling fields in shades of green and yellow, with hills in the background shadowed by clouds.

ESSAY: Kenneth Macqueen’s Harvesting scene

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ESSAY: Kihara's '(Where do we come from? What are we? Where are we going?)'

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ESSAY: Kimio Tsuchiya’s cycles of loss

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ESSAY: Koizumi’s Double projection

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ESSAY: Koromb (spirit house) 2012

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ESSAY: Kusama’s pumpkins and flowers

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An installation view of a gallery space set over an indoor pond or water feature, on which three memorial poles are displayed on a plinth.

ESSAY: LARRAKITJ (MEMORIAL POLES)

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ESSAY: Latai Taumopeau

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ESSAY: LE, Dinh Q.; The farmers and the helicopters

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ESSAY: Lee Ufan’s Relatum

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ESSAY: Lee Ufan’s ‘Relatum’ sculptures

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ESSAY: Lisa Reihana

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ESSAY: LIU Xiao Xian; The way we eat

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ESSAY: Lonnie Hutchinson

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ESSAY: Lonnie Hutchinson's Cinco

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ESSAY: Martens’s Forest, Cunningham's Gap

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ESSAY: Medalla's Cloud Canyons No.25

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An installation view that appears as a large midden of white shells piled in front of a white gallery wall, in a corner.

ESSAY: Megan Cope's RE FORMATION

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ESSAY: Michael Parekowhai's The Horn of Africa

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ESSAY: Micheline Néporon

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ESSAY: Michiko Kon: High heel of salmon and flatfish

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ESSAY: Michiko Kon’s unsettling photographs

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ESSAY: Mieko Shiomi: The world as a process

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A detail view of a work with a whitewashed background; the number 3 is very clear, and a number 8 is barely visible.

ESSAY: Miyajima’s Time landscape

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ESSAY: Montien Boonma’s works on paper

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ESSAY: Moriyama’s distinctive photographs

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Takashi Murakami

ESSAY: Murakami’s Mr DOB

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A detail view of a painting by Vincent Namatjira of himself and his grandfather Albert side-by-side.

ESSAY: Namatjira's Albert and Vincent 2014

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Vibrant watercolour painting of the central Australian desert

ESSAY: Namatjira’s painting group

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ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

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ESSAY: Nicolas Molé and Yumi Danis

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ESSAY: Nobuyoshi Araki’s photographs

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ESSAY: Normana Wight’s Untitled yellow-green

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Vibrant watercolour painting of the central Australian desert

ESSAY: Otto Pareroultja

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ESSAY: Ozawa’s ‘Vegetable weapons’

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ESSAY: Parekowhai’s Home Front

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ESSAY: Pierre Molinier's last session

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ESSAY: Portrait of a lady, half length, in a red and white dress with blue bows

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An installation view from ‘Looking Out, Looking In’ featuring Chatchai Puipia's Siamese smile: Siamese intellectual (from 'Siamese smile' series) 1995, March 2023 / Photograph: Joe Ruckli

ESSAY: Puipia's Siamese smile: Siamese intellectual 1995

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A delicate, tiny sculpture of a white pillow, photographed with a white background.

ESSAY: Rei Naito

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ESSAY: ROBERTS 2018.129.001-042

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