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All stories about QAGOMA's Collection

Displaying 101 - 200 of 420

ESSAY: Brook Andrew’s The Island V

ESSAY: CAI Guo-Qiang's Heritage

ESSAY: Charles Blackman's Barnes Auto, Brisbane and City Lights

An oil painting depicting a jacaranda tree blooming in a backyard.

ESSAY: Charles H Lancaster’s Jacarandas

ESSAY: Chim-Pom and Meiro Koizumi

ESSAY: Chim↑Pom

ESSAY: CHRISTANTO, Dadang; For those: Who are poor, Who are suffer(ing)...

ESSAY: Coosemans’s stilll life

ESSAY: Creating and collecting art for kids

ESSAY: CREED, Martin; Work no. 189

ESSAY: Dadang Christanto's Manusia tanah (The earth human)

ESSAY: Danie Mellor — Landspace

ESSAY: Danie Mellor's Whether you like it or not

ESSAY: Danie Mellor: The pleasure and vexation of history

ESSAY: Daniel Boyd’s Untitled (HNDFWMIAFN) 2017

ESSAY: David Griggs – Frog boy’s dissertation

ESSAY: Deborah Kelly’s Beastliness

ESSAY: Dhuwarrwarr Marika: Yalangbara

ESSAY: Dorrit Black's In the foothills

ESSAY: Edith Amituanai

A colourful scene, with a boat-like circus with many faces facing forward

ESSAY: Elisabet Kauage

ESSAY: Emma Tamarii

ESSAY: Enduring ideas and innovators of Asian art: A Collection focus

Feature image: Installation view of ‘I, Object’, featuring fighting clubs c.1900, GOMA, August 2019 / Collection: QAGOMA / © The artists / Photograph: N Harth, QAGOMA

ESSAY: Fighting clubs

An installation view of a sculptural work that spells out the word 'DISPERSED'

ESSAY: Fiona Foley’s DISPERSED

ESSAY: Fiona Pardington

A detail view of an ice sculpture, with a snowman's smiling face.

ESSAY: Fischli and Weiss’s frosty Snowman

ESSAY: Five watercolours by Kenneth Macqueen

ESSAY: Florence Jaukae-Kamel

ESSAY: Four-fold screen: Trading ship of the Dutch East India Company in Nagasaki Bay

ESSAY: George W Lambert’s War composition

ESSAY: GILL, Simryn; Dalam

ESSAY: GILL, Simryn; Pooja/Loot

A detail view of an oil painting of a Butea monosperma tree

ESSAY: Godfrey Rivers: An alien in Australia

ESSAY: Gole's Water storage pot – man's face

ESSAY: Grace Cossington Smith’s modern world

ESSAY: Gussie Bento’s Na Kalaunu Me Na Káhili

ESSAY: Gussie R Bento

ESSAY: Hanssen Pigott's Travellers no. 3

ESSAY: Hew Locke: Horseman of the apocalypse

ESSAY: Hidden Treasure: Sèvres style and Meissen

ESSAY: Hiraki Sawa’s O

ESSAY: Ian Fairweather’s late works

ESSAY: Irene Entata’s Honey ants

An installation view of a sculpture in the form of a bamboo temple suspended from the ceiling in a gallery space, with onlookers behind.

ESSAY: Iwasaki’s Reflection Model (Perfect Bliss)

ESSAY: Jake & Dinos Chapman's 'Etchasketchathon' (series) 2005

ESSAY: Jaki-ed mats

ESSAY: Jasmine Togo-Brisby

A man painted yellow, from head to toe, walks the streets of Brisbane, carrying a heart.

ESSAY: Journey of a yellow man no. 13: Fragmented bodies...

An installation view of a work of public art photographed on a sunny day; it takes the form of a large fishing net, cast in bronze, and it is set in front of GOMA, near the grass. It casts a net-like shadow on the concrete.

ESSAY: Judy Watson’s tow row

ESSAY: Judy Watson’s ‘our bones in your collection’

ESSAY: Julia Mage’au Gray

ESSAY: Kasahara’s

ESSAY: Kashiki’s fluid compositions

ESSAY: Kathy Jetñil-Kijiner

ESSAY: Kazama’s Nonhuman crossing

Kenneth Macqueen / Australia NSW 1897 - 1960 / Harvesting scene (detail) c.1956 / Watercolour over pencil on wove paper / Purchased 1956 / Collection: QAGOMA / © QAGOMA / A watercolour landscape depicting rolling fields in shades of green and yellow, with hills in the background shadowed by clouds.

ESSAY: Kenneth Macqueen’s Harvesting scene

ESSAY: Kihara's '(Where do we come from? What are we? Where are we going?)'

ESSAY: Kimio Tsuchiya’s cycles of loss

ESSAY: Kiria Asike and the Nakas clan

An installation view of a sculpture taking the form of a deer made of glass balls and beads.

ESSAY: Kohei Nawa’s PixCell-Double Deer#4

ESSAY: Koizumi’s Double projection

ESSAY: Koromb (spirit house) 2012

ESSAY: Kunmanara (Nellie) Stewart’s Punu wara

Yayoi Kusama / The obliteration room installed for APT4 (before activation)

ESSAY: Kusama’s Obliteration room

ESSAY: Kusama’s pumpkins and flowers

A photograph of QAGOMA's Collection of ku' (camp dog) sculptures

ESSAY: Ku’ (camp dogs)

A detail view of an oil painting of the Brisbane cityscape as it was in the 1930s; sandstone-coloured buildings are seen under a blue sky.

ESSAY: Lancaster’s corner of Brisbane

An installation view of a gallery space set over an indoor pond or water feature, on which three memorial poles are displayed on a plinth.

ESSAY: LARRAKITJ (MEMORIAL POLES)

ESSAY: Latai Taumopeau

ESSAY: LE, Dinh Q.; The farmers and the helicopters

ESSAY: Lee Ufan’s Relatum

ESSAY: Lee Ufan’s ‘Relatum’ sculptures

ESSAY: Lesieli Kato Kakala Tohi Topou

ESSAY: Lisa Reihana

ESSAY: LIU Xiao Xian; The way we eat

ESSAY: Lonnie Hutchinson

ESSAY: Lonnie Hutchinson's Cinco

ESSAY: Margaret Cilento’s House at Annerley Junction

ESSAY: Martens’s Forest, Cunningham's Gap

ESSAY: Martin Smith: Fix it up 2010

ESSAY: Medalla's Cloud Canyons No.25

An installation view that appears as a large midden of white shells piled in front of a white gallery wall, in a corner.

ESSAY: Megan Cope's RE FORMATION

ESSAY: Mellor’s pleasure and vexation

ESSAY: Michael Parekowhai's The Horn of Africa

ESSAY: Michael Parekowhai’s The World Turns

ESSAY: Micheline Néporon

ESSAY: Michiko Kon: High heel of salmon and flatfish

ESSAY: Michiko Kon’s unsettling photographs

ESSAY: Mieko Shiomi: The world as a process

A detail view of a work with a whitewashed background; the number 3 is very clear, and a number 8 is barely visible.

ESSAY: Miyajima’s Time landscape

ESSAY: Montien Boonma’s works on paper

ESSAY: Moriyama’s distinctive photographs

Takashi Murakami

ESSAY: Murakami’s Mr DOB

ESSAY: My Collection favourite: CA Brown's Inkwell 1874

ESSAY: Nagasaki-e and Kaika-e: Japanese woodblock prints

A detail view of a painting by Vincent Namatjira of himself and his grandfather Albert side-by-side.

ESSAY: Namatjira's Albert and Vincent 2014

ESSAY: Neville-Rolfe’s ‘Tina Loot’ and other paintings

ESSAY: Nguyen-Hatsushiba’s ‘Memorial Projects’

ESSAY: Nicolas Molé and Yumi Danis